Concert History Updated!

Concert history has been updated with my 91st, 92nd, and 93rd shows:

93. June 03, 2016 – Cincinnati, OH – Bunbury Festival (Day 1) – The Killers, Mudcrutch, Haim, Charles Bradley and His Extraordinaires, The Wombats, The Mowgli’s, The Shelters

92. June 02, 2016 – Nelsonville, OH – Nelsonville Music Festival (Day 1) – Courtney Barnett, Nathaniel Rateliff & The Night Sweats, Water Witches, Sega Genacide, SaintSeneca

91. May 28, 2016 – Columbus, OH – Eagles of Death Metal, Thelma and the Sleaze

Full blog entries will be coming eventually.

June 24, 2003 - Columbus, OH - Pearl Jam, Buzzcocks

Venue:  Polaris Amphitheater

My second Pearl Jam concert and an amazing time.

I had a questionable vehicle at the time, so my Dad followed me down to Columbus, just in case there was an issue.  My brother Joe rode down with my Dad, and my buddy Ryan rode down with and was going to attend the concert with me.

Just a couple of months after my first Pearl Jam show, the fan club seats still were based on Seniority in the club, but you could get better seats if you waited in line and picked them up earlier.  Ryan and I stood out in 90+ degree heat for a few hours in the afternoon, behind hundreds of fans, and got some tickets that were about ten rows from the back of the amphitheater.

The Buzzcocks opened and played their asses off, with no breaks between most of their songs.  Pearl Jam took the stage as the sun was going down directly behind the lawn.  Eddie wasn't feeling well and his voice was a little rough throughout the bight.  I saw him laying down on what looked like a mattress on the side of the stage during a solo at one point, but he still gave a great performance and brought the energy.

An Improv that fans have titled 'Lost In Ohio' was really amazing, as was the sing-a-long during Jeremy, and the Neil Young cover 'Fuckin Up'.  Rarities like Evacuation, Red Mosquito, and Footsteps made me very happy, as I was already in the habit of using their shows as another chance to "collect" their songs.

The crowd was sun burned, drunk, and excited.  I felt a splash on the back of my shins late in the show and I was pretty sure that it was vomit from the drunken 50 year old behind me.  Ryan and I went and ate at a Waffle House after the show.  I think it was the first time either of us had been to a Waffle House.

I had a great time over the day and half that we were down in Columbus, but Ryan was just a friend I drug along and he wasn't a Pearl Jam fan.  At Waffle House, he told me he was homesick and was looking forward to heading him.

We had been gone since that morning.  It was really lame of him to have said that and I am still mad about it all these years later.  I don't put up with people not relaxing and enjoying themselves.  It shows a lack of vision and no love for adventure.

It's also just a shitty thing to say to a friend who is obviously enjoying himself on a short trip to see his favorite band.  I don't let people's comments like this get me down anymore.  If they can't enjoy themselves on vacation or away from home, it's not my place to make them have a good time, however, I owe it to myself to not let them ruin mine.

October 25, 2008 - Cleveland, OH - Matthew Sweet

Venue:  Beachland Ballroom

Another concert I don't remember a whole hell of a lot from, because I was not familiar with Matthew Sweet's music.  I'm still not familiar with his music, but I do remember that it was a pretty good show.  I've heard him on satellite radio a couple of times in the last year and I actually remember some of the songs.

His song 'Girlfriend' is good pop rock garbage, and the video is wonderful.  In the video (from 1991) his translucent head is floating in front of some anime of people fighting and dancing.  It's really stupid, you should watch it.

This was yet another concert I attended because my girlfriend Megan was a fan.  At the time of this concert we were no longer together and just trying to be friends.  We would go to one or two more concert after this one, as friends, and then I would mess that up by being a possessive weirdo and not letting it go that she was already dating someone else.

That's a story for another blog post, but this concert just stands as a rare example of me actually making friendship work with an ex.  It was good for a minute. 

People move on and you eventually become the dumb asshole of the situation.

That's life sometimes.

April 1, 2005 - Oxford, OH - O.A.R.

Venue:  John D. Millet Hall at Miami University

This was the second time I saw O.A.R. (in a five month span), and the third and final time I would attend a concert with my friend Libby.  Libby was a big fan of O.A.R., and I liked some of their songs and loved going to concerts and hanging out with Libby, so we made the long drive down to Oxford, OH.

It was a four hour drive to this show and there are two main things that I remember about it:

1.)  Libby drove, and if she hadn't I might be dead.  We took a weird way to get there and drove through old farm roads and suddenly happened upon Oxford pretty close to show time.  The drive there wasn't the bad part; it stormed almost the entire way home.  Not just a little rain, but just dumping buckets and not being able to see more than a dozen feet in front of the car most of the wayPoor Libby got us home safely though and I'll always be thankful for that.

2.) A random college student said one of the funniest one-liners I've ever heard in the crowded men's bathroom before the show.  The phrase stood alone and was neither preceded or followed by an explanation.  I was just done peeing in the stall, and as I turned around and he approach and prepared himself for the urinal he loudly said, "So I was giving my grandma a bubble bath last night, and she dumped in the tub."

Everyone in the bathroom laughed and I was in awe.  I don't think I've heard anything more perfect in a public bathroom in my life.  I have thought about his reasons for saying it, and I realized that I don't care.  The mystery is part of the appeal.

I'm sure O.A.R. played the Poker song and I'm sure that they had a lot of energy, but honestly I don't remember anything about the performance.  This show would close out my short-lived jam band phase and it would be the last concert I would attend until I would see Pearl Jam again multiple times in 2006.

Extremely Fast and Pointless Music Review: Radiohead 'A Moon Shaped Pool' (2016)

A Moon Shaped Pool is more than a good Radiohead album, it's just a good album in general.  After their last effort, The King of Limbs, I was left with an empty feeling and a hook-less, fairly musically joyless record.  A Moon Shaped Pool is as if their albums In Rainbows and Amnesiac had a baby, and it is a melancholy masterwork.   It is as inspired and emotional as I could have hoped; almost dangerous in it's ability to pull you in. The most brilliant thing about it (and it sounds like bullshit) is that the album grows on you and drips and seeps into you until it finds those cracks that move you.  It makes you feel anxious, lost, alone, and disillusioned.  Let it in.  Live with it.

Five stars.

December 08, 2007 - Cleveland, OH - Silverchair

Venue:  House of Blues

Seats in the balcony at the house of blues.

I have never been very into Silverchair, but my girlfriend Megan was and they were good at Lollapalooza four months earlier, so we decided to see them again.

If I am not familiar with a bands music, I tend to remember very little of what actually occured at their concert, and this is one of those cases.

You would think that they would play their songs that made them big in the nineties, but they actually didn't play Tomorrow at this show or many other shows around this time. 

Avoiding the old songs, because you're not that band anymore, and instead, playing your new stuff is the coolest, most accepted and universally loved thing that a band can do, so I'm sure no one had an issue with it.  As I stated, I didn't really care, because I've never been a fan, but it still makes me think.

People blatantly avoiding their past success and trying to recreate themselves anew is something that has always been fascinating to me.  Their motive and reasoning is always a curious thing, and I always wonder if they are doing it for the right reasons.  Do they owe the old hits to their fans?  Do they care?

I don 't think that Silverchair tour, or even exist as a band anymore, and I heard that the lead singer divorced Natalie Imbruglia recently.  I've had a crush on her since the Torn video.

I looked it up.  Imbruglia has played Torn at almost every god damn show for the last 20 years or so.  I wonder if she's happy with that?  I'm guessing her fans are.

February 23, 2008 - Cleveland, OH - VAST, White Light Riot

Venue:  Beachland Ballroom?

I remember almost nothing about this show.

I knew it would happen once or twice.  I knew there would be a show or two where I wouldn't be able to recall any major details.

My girlfriend at the time, Megan, liked VAST and like a handful of other concerts I attended from 2006 to 2008, I only went because she was a fan.

Not being familiar with VAST's music, before or after makes it extra hard.

I think this was the show in which we took one of Megan's friends up to the show with us.  He was this big dude that I never knew very well and he got drunk at the show.  On the way home he talked about how the entire mid-west is on a tectonic plate and that, at any moment, we could all blow up.  I might be mixing this memory up with a time that we went to Annabelle's in Akron with the same guy.

I still think about the tectonic plate thing from time to time.

The opening band, White Light Riot, set up and played their set from the middle of the floor I think, but I could be mixing this show with another one.

I don't remember what VAST sounded like.  I have no recollection of what they looked like.  All I know is that, 10 years ago, I was there.  I know this because I was keeping my list of concerts at the time.

I can't even find any evidence that this show took place.  There is absolutely nothing about it on the internet.  I was thinking about watching some videos and reminding myself about what VAST was like, but I am just going to leave it a mystery.  There's enough shit in my head already.

October 31, 2004 - Columbus, OH - O.A.R.

Venue:  Promowest Pavilion Indoor (Lifestyles Communities Pavilion/Express Live)

My friend Libby liked O.A.R.

I enjoyed hanging out with Libby.

I ended up getting a couple of O.A.R. CDs and found some songs I liked, so I went with her.

This was a Halloween show and it was actually a lot of fun.  A couple of Sublime-y, jammy bands opened for them and one of the featured a singer dressed as Uncle Sam.  Uncle Sam could dance like no other, and later he came up on the balcony with Libby and I, where Libby recognized him and smacked him on the arm pretty hard to get his attention and tell him he did a good job.

Libby dressed as a pirate wench, or something like that.  I dressed up as myself, which meant (at the time) that I was wearing a hat, t-shirt, jeans, and tennis shoes.

I don't remember much about O.A.R.'s performance.  They had a good energy.  They played that poker song at the end.  They jammed and lost my attention from time to time, it was a good show.

April 25, 2003 - Cleveland, OH - Pearl Jam, Sparta

Venue:  Quicken Loans Arena (Gund Arena, at the time)

This was my first Pearl Jam concert and it's still perhaps, my favorite concert of all time.

In the Spring/Summer of 2001, I had a membership at the Louisville Public Library in Louisville, OH.  I would mostly take out CDs and listen to the at home on a portable Sony CD Walkman while lying in bed.

One day I checked out a Pearl Jam album called 'Live on Two Legs', which is a live compilation recorded from their 1998 tour'.  I had never heard any band put more heart or energy into a live performance.  Before 'Live On Two Legs', I only knew Pearl Jam's early 90s grunge songs, and had no idea that they were absolutely amazing live.  I never ended up developing a strong connection to their first records, and instead, I ended up developing a deep love and connection to their weird, more alternative albums, as well as their live albums from their 2000 tour.

I am a very rare example of a Pearl jam fan, that doesn't worship their early career output.  Their 'middle' period albums, 'No Code', 'Yield', and 'Binaural, are still my favorites and stand beside anything else they have done.

Pearl Jam would quickly grow tobecome my favorite band, and as I bought and listened to more of their records, I knew that I absolutely had to see them live.

I had just missed their 2000 tour, which had wrapped up months before I found their CD at the library, so I had to wait a couple of years for their new album and tour.  and thequality of the seats was based on seniority.  Tickets through the Pearl Jam fan club came in pairs and I really had no one that I knew that was anywhere near as big of a fan as I was, so I just went with my good friend James.

James was a trooper, because he was alright with getting to and standing outside the arena hours early, so we could get slightly better seats.  Ten Club tickets, at the time, were based on seniority, but you could improve your position within a a block of seats by getting to the box office early.  We ended up with tickets about 20 rows back on the side (on the aisle!!!!), and they were great.  I don't think there was a bad seat in the house.

Opening band Sparta consisted of some of the members of the then defunct 'At The Drive-In', and they underwhelmed, but I didn't care at all.  I was too excited.

They played 28 songs, including 17 songs in the main set and 11 in the two encores.  Corduroy into Grievance into Save You into Do The Evolution was tremendous.  Lukin into Not For You was amazing.  You Are and Daughter in the first encore were fantastic, and then Eddie played People Have The Power, with just him on electric guitar and Matt on drums and I actually said "Wow!" out loud when he hit the "Freeeeeeee-dommmmmm" part towards the end.

I could write a paragraph about each song they played that night, because I have literally heard them over and over dozens of times since then on the officially released bootleg.  It's still my go-to Pearl Jam live album, and as of writing this I have seen them 13 times (with tickets for 14 and 15 purchased).

It sounds hokey and weird, but it's true; Pearl Jam has been incredibly important to me over the last 15 years.  Their music has inspired me and helped me through some rough times, and their live shows are some of the highest points of the last decade and a half of my life. I am thankful to them and incredibly excited to be one of their fans. 

Simply put, I would be a very different person if I hadn't picked up that beat up library CD 15 years ago.

November 09, 2006 - Cleveland, OH - Hot One

Venue:  Beachland Tavern

This small show was the first one that I attended with my former girlfriend Megan.  She and I were into alot of the same musics and we just generally shared a love of live music.  I have her to thank for later going to my first Lollapalooza, and instilling in me a love of music festivals.  I also have her to thank for this list of concerts, because she was the only person I had ever met who kept a list of the shows she had attended and it inspired me to make a list of my own.  The ever growing Word document with all the concerts I've attended dates back to 2006 or 2007.

Hot One was a side project rock band featuring Nathan Larson of Shudder to Think, they only released one album, and it's actually pretty good.  Megan was into a lot of smaller 90s alternative rock, shoegaze, and post-hardcore bands, which is why I would see this band as well as bands like VAST and Silverchair while I was going out with her.

Hot One played 'dirty' alt-rock with a swagger and attitude that reminded you of Eagles of Death Metal.  Their album was alright and they were alright live.  They had a song called Fucking that I still like and think about from time to time, even though I probably haven't heard it in 5+ years.

There were maybe 15 people at the show that night while Hot One was playing, and afterwards it was easy to meet the band and talk to everyone.  At one point Megan and I were talking to Nathan Larson about his voice, and I bring up a Rolling Stone article I read about how Bono from U2 has to be on pure oxygen on the plane in between shows in order to preserve his ability to sing.

Nathan humored me and said that Bono has to do that because of how much he sings and all II remember is feeling like such an asshole.  It might have been all in the head, but I still cringe when I think about bring up Bono and U2 and that dumb Rolling Stone anecdote to this poor guy and with his 15 fans in a shitty Tavern in Cleveland.

Hot One wouldn't make another record, and more importantly, I wouldn't bring up Bono to anymore struggling 90s artists that are just trying to make it long after their peak of popularity.

June 29, 2004 - Cleveland, OH - Dave Matthews Band, Keller Williams

Venue:  Blossom Music Center

This is the first and only Dave Matthews Band concert I have been to, and it was the first of only a few shows I attended with my friend Libby.  Libby and I would end up exclusively going to jam band concerts (this and O.A.R. later).

I was into DMB's earlier output and I still consider their third album, 'Before These Crowded Streets', to be one of my favorites, but I find myself listening to DMB less and less each year.  Like my waning fascination with progressive rock, my interest and fascination with jam bands would see it's end before too long.

We had lawn tickets and Keller Williams played solo acoustic to open and was fine.  I recall that the Black Eyed Peas were originally slated to open, but cancelled and were replaced by Keller Williams, because they were blowing up at the time.  I might not remember this correctly though, because I cannot seem to find any evidence that this happened, but I don't know why my brain would make something like that up.

Dave Matthews Band put on a good show and played a few of the songs I wanted to hear, including 'The Stone'.  They were touring with some new songs that didn't have clear titles yet, but most of which would be on their next record, and I had no complaints about their set or their new material.

The crowd was almost entirely drunk white dudes, many of which were dancing and lovingly mocking Dave Matthews guitar playing and footwork.  If you don't know what I'm talking about, imagine a man playing guitar with the strap tightened up almost as far as it will go, who is also moving his feet like Linus does in the old Peanuts cartoons.

One guy nearby had a tower of beer cups stacked next to him in the grass that made it to at least 12 by the end of the night.  He also ended up flat on his back, sleeping by the time the band closed with Rapunzel.

October 21, 2004 - Columbus, OH – CAKE, Northern State

Venue:  Promowest Pavilion

The second time I saw CAKE was with my friend Liz in Columbus.  This was also the first time, of many, that I would go to the Promowest (or Lifestyles Communities and late The Express Live) Pavilion, although this was an indoor show.

They were touring their new album, Pressure Chief, and I bought a brown and pink shirt with the album logo on it, as soon as I walked in the door.  I wore that shirt until it started getting holes in it.

The opening band was, Northern State, an all girl three piece hip-hop group and they were good.  Some jackasses in the crowd booed them at times, but it was undeserved.

CAKE put on a good show, but I had some issues with John McCrea's performance.  I am fairly sure that he was drunk (or high), and he sang everything a half a beat slower than he should have, which made it really hard and weird to sing along.  He also complained about all the college 'bros' in the audience and introduced 'The Distance', by saying that it was for the frat boys.

Maybe the crowd was douche-y and deserved the attitude from John after booing the opener and being kinda shitty.  It was still a good show and a good time with my friend Liz.

Yet another person I went to some concerts with years ago, that I should give a call.

March 20, 2004 - Cleveland, OH - Dream Theater

I looked carefully at my entire list of shows that I have attended, and I remember the absolute least about this one.

I know that this was the last concert I went to with my buddy Nick.  After this show we drifted apart and he got with this girl that everyone universally hated.

This show was also the final death gasps of my short lived fascination with progressive rock.  I would not attend another 'progressive' show of any kind after this.  Seeing Pearl Jam live the previous year and my growing love for mainstream alternative rock (Modest Mouse, Death Cab, The Shins, Queens of the Stone Age, etc), created some distance in between myself and the highly skilled noodling of bands like Dream Theater.

I do have vague fuzzy memories of being bored at this show.  It just started to lack heart and, going forward, without my buddy Nick in the picture to drive the interest in it, Dream Theater was to fall by the wayside.

November 29, 2002 - Cleveland, OH - Planet X

Venue:  Peabody's Down Under

I was asked to go to this small club show by my friend Nick, who I had attended all of the Dream Theater shows with, as well as the CAKE show.  This would be one of the last concerts I would go to with Nick, and the second to last progressive rock show.

Planet X featured one of Dream Theater's ex-keyboardists, guitarist Tony MacAlpine, and an amazing drummer named Virgil Donati.  They were purely instrumental.  Their music was all masturbatory noodling and shredding for people who wanted to see people who are very good at their instruments do cool shit with the instruments.

Nick and I got to the show early enough to get front and center at the stage.  The first band, a local high school rock band, pulled a bigger crowd than Planet X and ended up surrounding usat the front.  Some unhappy high school girls talked about us behind our backs, wishing that we would move.

The second band, a low-tier Stone Temple Pilot's sounding band, surprised no one when they covered Sex Type Thing.  The house music that played in between bands was an awful Saliva or Limp Bizkit song played very loudly, on repeat.  Between the shitty opening bands, the shit-hole venue, and the shitty house music, I distinctly recall not having a very good time.

Planet X took the stage with a crowd of no more than thirty people in the venue, and did exactly what everyone expected them to do, which is to say that they proved that they were good at guitar, drums, and keyboards respectively.

The highlight was Virgil Donati's drum solo towards the end of the set.  I haven't seen anyone play drums that fast since.  His arms were literally a blur as they went back and forth and across all of the drums. 

I'm not sure if it was musical, but it was amazing.

September 07, 2002 - Pittsburgh, PA - Dream Theater, King's X

Vanue:  AJ Palumbo Center

Four days after seeing Dream Theater in Cleveland, and five months after seeing them in Philadelphia, my friend Nick and I saw them once again in Pittsburgh.

The concert was in the gymnasium of a downtown Pittsburgh college.  I remember a basketball hoop 'cranked' up and hovering above the band during the show.  King's X and Dream Theater put on a good, although much shorter show than their 'Evening with' show in Philly.

On the way there, Nick drove up to an intersection in downtown Pittsburgh that made absolutely no sense.  There were 4 or 5 different lights and and roads converging, and I clearly recall him just winging it and driving through.  I told people about that intersection for year later, and everyone always added that Pittsburgh was shitty place to drive.

I witnessed one of my favorite tour shirts at this show as well.  An older dude with a pony tail was wearing a beat up old 'Moving Pictures' Rush tour shirt from 1981.  It had holes all over it and was faded with twenty years of washing and wear, but it was the real deal.  I was blown away.

Something tells me that that shirt still hasn't been retired, and in the next couple of decades, a long haired prog metal fan might be buried in a very worn old Rush shirt.

I fully support his final wishes.

September 03, 2002 - Cleveland, OH - Dream Theater, King's X

Venue:  Tower City Amphitheater

This concert in Cleveland was the sixth concert I had been to, and the second time I had seen Dream theater.  I am pretty sure that this show was just me and my friend Nick, but one of our friends might have been there.

I remember that we had decent seats, maybe twenty rows back, and the show was as solid of a set as Dream Theater always played.  King's X opened for Dream Theater, and I remember digging their set as well.  I still have a Pearl Jam bootleg from Atlanta 1994, where Doug Pinnick (singer from King's X), comes out to sing with Eddie on WMA.

In March of the same year, my friend Nick had driven our friend Ryan and I to Philadelphia to see Dream Theater, so this wasn't as big a deal, and wasn't as memorable of a show, but it was still fun.

05. August 21, 2002 - Cleveland, OH - Unlimited Sunshine Tour

Venue:  Tower City Amphitheater

Lineup:  CAKE, The Flaming Lips, The Hackensaw Boys

I had been a huge fan of CAKE since my friend Nick introduced them to me on car rides to school, and I had been looking for my opportunity to see them for years.  Nick and I bought tickets, but Nick couldn't get off work until the evening.  I remember Nick driving us up there in about 3/4 the time it would normally take, but by then we had missed Modest Mouse, Kinky, and De La Soul's main sets.

We arrived a few songs into the Flaming Lips and all I remember were great versions of Yoshimi and Do You Realize?, performed with fake blood rolling down Wayne Coyne's face.  He had a camera on his microphone, so there was a huge video of his bloody singing face behind him.

CAKE was good, but their show was fairly short due to the other bands all going a little long.  I bought an awesome white Unlimited Sunshine Tour shirt and a CAKE van shirt as I entered the venue.  I was still buying a shirt at every show at this point, and while my previous shirts saw little to know use, the CAKE shirts got worn a lot.

Even at the time, it was strange to have CAKE headline the show.  The Flaming Lips and Modest Mouse had large followings, and De La Soul are hip hop legends,  and all of them have long ago completely eclipsed CAKE in relevance and listener-ship.

August 04, 2002 - Cleveland, OH - Ozzfest 2002

Venue:  Blossom Music Center

Lineup:  System of a Down, Rob Zombie, P.O.D.,  Drowning Pool, Adema, Black Label Society, Down, Hatebreed, Meshuggah, Soil, Flaw, 3rd Strike, Pulse Ultra, Ill Nino, Andrew W.K., Glassjaw, The Used, Sw1thced, Otep, Lostprophets, The Apex Theory, Neurotica, Chevelle

Ozzfest 2002 was my fourth conert and my first music festival.  It was also the only concert I have ever attended with my older brother Mike.

As far as I was aware, Ozzfest had always been a traveling one day festival that featured a long day's worth of bands playing unopposed, one right after the other.  On this particular day, it was in the 80s and 90s and the first half of the day took place on a hot asphalt parking lot.

The band Down closed out the second stage, and then everyone had to move on over to the amphitheater for Black Label Society onward.  Andrew W.K was an early stand-out, and he brought an energy and a fun that I had not witnessed in a live setting before.  I still tell people about how he would tuck the taped up microphone into the front of his pants rather than set it down, and then proceed to pound on what sounded and looked like it would have to be the same key on a beat-up old keyboard.

Black Label Society and Adema were boring, but Drowning Pool was energetic and put on a good show (singer Dave Williams would die 10 days later of an un-diagnosed heart defect).  P.O.D were already a joke to me and they did not change my mind.  Rob Zombie was good fun and he played the 4-5 songs that everyone wanted him to.  We knew going into the festival that Ozzy had cancelled due to his wife Sharon getting diagnosed with cancer.  System of A Down played an extra long set that included almost every song off of their first two albums.

Alongside all of these metal acts, Ozzfest introduced me to and prepared me for some of the worst aspects of music festivals.  From the ridiculous bathroom lines leading to filthy bathrooms to the price gouging on water (I remember it being $7-9 for a 20oz bottle of Dasani), it was a hot, dirty wake-up call.  I recall trudging up to the top of the lawn towards the end of the evening, t find that they were just giving away bottles of water.  People had been passing out in the 90 degree heat, and someone, somewhere finally made the right call.

I used to look back onto my attending Ozzfest as something I should be embarrassed by, especially considering that many of these acts have passed into obscurity or are considered to be some of the worst bands to come out of the late 90s and early 00s, but now I look back on it fondly.

Fourteen years later, even though he is still alive and well, and lives nearby, Ozzfest was the last major thing that I did with my brother Mike.

I should really give him a call.

March 23, 2002 - Philadelphia, PA - Dream Theater

Venue:  Tower Theater, Upper Darby, PA

This was the third concert I had ever attended, and it still stands as the only show I've ever seen in Philadelphia.  My friend Nick's favorite band was Dream Theater and through him I had a period where I was also pretty heavily into them.  Nick bought our friend Ryan and I tickets in the balcony for what I assume was the closest show we could attend.

Nick drove us all the way to the show on the day of the show in his dad's white panel van.  Ryan slept in the back for most of the drive.  We ate a cruddy little diner a block away from the venue.  It had bars behind the windows, to prevent break-ins and we walked in around either 530 or 630 when they had less than an hour to close. 

Upper Darby, PA is not a great area of Philadelphia and the long line of progressive rock fans waiting outside the venue stood out awkwardly against the rest of the population.  Dream Theater was touring their double album Six Degrees of Inner Turbulence, and the show was great.  At the time, it was enough that they were playing such fast, complicated songs, but years later I look back onto my time with Dream Theater as a strange thing.

I was largely adopting my friend Nick's love of the band, even though I was never, nor would I ever be, a big fan of progressive metal.  The whole things did give me a respect for musicians that were at the top of their technical game.

We drove directly home, the 8-9 hours that it takes to get across Pennsylvania.

Ryan and I slept most of the way, but I remember being awoken by a startled and sleep-deprived Nick, who swore that he had seen a sheep cross the road.  We took his hallucination as a sign that we should stop for a little rest before going the rest of the way.

Extremely Fast and Pointless Film Review: Hardcore Henry (2015)

Hardcore Henry was pretty dumb, but it was fun enough and different enough to hold my attention and surprise me occasionally.  I especially grew to like a few of ten different characters that Sharlto Copley played.  I've seen this action before, but not from this perspective for this long, so it does succeed in being novel.  Still, everyone has seen this story done better, but they probably haven't seen it done with such bold stupidity and simplicity.

Five Stars.